Billie
Holiday Discography
The Composers
The
men behind
the songs
This
section is dedicated to the great songwriters Billie
Holiday
served as interpreter. All the songs BH recorded from each particular composer
are listed after his name.
The numbers in blue between brackets
(eg
MT 71)
refer
to the recordings' original order in "STUDIO
SONGS"
(Master Takes) while
the ones in green
(eg
LR 59)
refer
to "LIVE
RECORDINGS"
sequence. The stars
ÅÅ represent
their evaluation in the respective
section.
George Gershwin
(1898-1937)
Ira
Gershwin
Gershwin was the composer
with the largest number of tunes sung by Billie Holiday in this collection. All
the commented songs below have their lyrics by his brother Ira Gershwin.
Reading these lyrics is like an online
university education in song craftsmanship.
- (MT
24)
Summertime
- (MT
71)
Å
Nice Work If You Can
Get It
- (MT
72)
Å
Things Are Looking Up
- (MT
126)
Å
The Man I
Love (1924) a
wonderful love song: Maybe I shall meet
him Sunday / Maybe Monday, maybe not / Still I'm sure to meet him one day /
Maybe Tuesday will be my good news day. From the famous play
“Lady Be Good” is one of the most popular songs ever. Billie do not
honor the song, though, this being her sole recorded track.
- (MT
198)
Å Porgy
- (MT
291)
ÅÅÅ
A Foggy Day (1937) And
suddenly, I saw you standing right there / And in foggy
London
town, the sun was shining everywhere. Beautiful.
- (MT
297)
ÅÅÅ
But Not For Me
- (MT
301)
ÅÅÅ
Our Love Is Here To Stay
- (MT
303)
ÅÅÅ1/2
They Can't Take That
Away From Me
- (MT
304)
ÅÅÅ1/2 Embraceable You (1930)
listen: Embrace me, my sweet embraceable you! Embrace me, you
irreplaceable you! From the play “Girl Crazy” and sung by Gene Kelly
in the film “An American in
Paris
” (1951). A jewel, one of
the best songs ever written; also a memorable tune by Billie.
- (MT
305)
ÅÅÅ
Let's
Call The Whole Thing Off
Cole Porter
(1891-1964)
Cole Porter is probably my
favorite composer. However, there seems to be no good match between Porter and
Billie – a clear example is Night and Day. Probably, two different styles.
Porter is famous by his lyrics, worked to perfection – a characteristic of
those composers that made both music and lyrics.
- (MT
125)
Night And Day (1932)
this song is probably one of the best ever written, look at the lyrics in the
first verse: Like the beat beat beat of
the tom-tom/ When the jungle shadows fall/ Like the tick tick tock of the
stately clock/ As it stands against the wall/ Like the drip drip drip of the
raindrops/ When the summer shower is through/ So a voice within me keeps
repeating you… you… you… Night and day, you are the one/ From the
musical “Gay Divorce” in the same year.
- (MT
143)
Å
Let’s Do It
- (MT
183) ÅÅÅ
What Is This Thing Called Love?
- (MT
223)
ÅÅÅ Easy To Love (1936) this is a wonderful love song, listen: You'd be so easy to love/ So easy to idolize/… The song is
from the film “Born To Dance” where there was also another gem, I’ve
got you under my skin, that Billie never recorded.
- (MT
228)
ÅÅ
Love For
Sale
- (MT
270)
Å
I Get A Kick Out Of You
- (MT
293)
ÅÅÅ
Just One Of Those Things (1935)
From the musical “Jubilee”. What
an elaborate lyrics in the final verse: So
good-bye, dear, and amen/ Here's hoping we meet now and then/ It was great
fun/ But it was just one of those things.
- (MT
329)
Å
All Of You
Irving Berlin
(1888-1989)
Berlin
, unlike Cole Porter, seems
to be a perfect match for Billie. Almost all the songs she recorded got high
evaluation, as you can see below. He is probably the most known name in the
American popular music.
Berlin
is also known to write
complete songs, music and words.
Berlin
is also one of the most
prolific composers, having written almost 900 songs; however, the three I
selected are from the early thirties.
- (MT
41)
He Ain’t Got Rhythm
- (MT
42)
ÅÅ
This Year Kisses
- (MT
232)
Å1/2
Remember
- (MT
240)
ÅÅ
How Deep Is The Ocean (1932)
listen to Billie’s lament: And if I
ever lost you/ How much would I cry?/ How
deep is the ocean? / How high is the sky?
- (MT
251)
ÅÅ
I’ve Got My Love To Keep Me Warm
- (MT
253)
ÅÅ
Always
- (MT
272)
ÅÅÅ
Isn’t This A Lovely Day?
- (MT
282)
ÅÅÅ Cheek To Cheek (1935)
the song first appeared in the film “Top Hat”. A wonderful happy song: Heaven,
I'm in Heaven/ And my heart beats so that I can hardly speak/ And I seem to
find the happiness I seek/ When we're out together dancing, cheek to cheek.
- (MT
300) ÅÅÅ
Say It Isn’t So (1932)
Billie for sure meant that when she sung this wonderful song: Everywhere
I go, everyone I know, whispers that you're growing tired of me/ Say it
isn't so.
Harold Arlen
(1905-1986)
Johnny
Mercer
How to select any of these
wonderful songs? All of them got high standards. I decided to included the two
that have lyrics by Johnny Mercer. I also want to point out that the
unforgettable “Over the Rainbow” from the film The Wizard of Oz (1939) with Judy Garland is another masterpiece
from Arlen (lyrics from Harburg).
- (MT
236)
ÅÅÅ
Stormy Weather
- (MT
265)
ÅÅÅ1/2
Come Rain Or Come Shine (1946)
I'm gonna love you like nobody's loved
you, / Come rain or come shine. / High as a mountain and deep as a river, /
Come rain or come shine. And so Mercer goes, and Billie follows with
passion.
- (MT
266) ÅÅÅ
I Gotta Right To Sing The Blues
- (MT
283) ÅÅÅ1/2 Ill Wind
- (MT
302) ÅÅÅÅ One For My Baby (1943) one of my favorite songs, the honor goes to the lyrics, look
how it starts: It's quarter to three,
there's no one in the place/ Except you and me/ … / We're drinking my
friend, to the end/ Of a brief episode/ Make it one for my baby/ And one more
for the road. Billie wouldn’t do any better.
Jerome Kern
(1885-1945)
Oscar
Hammerstein II
Kern was one of the
greatest, having influence in a generation of composers.
- (MT
32)
The
Way You Look Tonight
- (MT
43)
ÅÅ
Why Was I Born
- (MT
74)
ÅÅ
Can’t
Help Lovin’ Dat Man (1927)
from the famous musical “Show Boat”, has lyrics by Oscar Hammerstein II: Tell
me he's lazy/ Tell me he's slow/ Tell me I'm crazy, maybe, I know/ Can't help
lovin' that man of mine.
- (MT
118)
Yesterdays (1933)
from the musical “Roberta”, it has very elaborated lyrics by Otto Harbach:
Yesterdays, yesterdays / Days I knew as
happy, sweet sequestered days… Billie said it was one of her favorite
tunes and recorded it three times, but still owe us a memorable performance.
- (MT
268)
ÅÅ
A Fine Romance (1936)
from the film “Swing Time” featuring Fred Astaire and Ginger Rogers,
lyrics by Dorothy Fields. A pleasant song, with plenty of movement and swing.
Vernon Duke
(1903-1969)
Three wonderful songs by
Duke, born in
Russia
as Vladimir Dukelsky.
- (MT
93)
Å
I Can’t Get Started (1936)
not only mine, but one of the jazz groups favorites, lyrics by Ira Gershwin: Iv'e
been around the world in a plane/ Settled revolutions in
Spain
/ The North Pole I have charted / But can't get
started with you.
- (MT
233)
ÅÅÅ
Autumn In
New York
(1934)
its particularity is to have both words and music by Duke.
- (MT
288)
ÅÅÅ
April in
Paris
Richard Rodgers
(1902-1979)
here with Lorenz Hart
Rodgers was one of the
most prolific American composers but his partnership with Billie did not render
that many tracks. All of the songs listed below have lyrics by Lorenz Hart.
- (MT
220)
Å
Blue Moon
- (MT
292)
ÅÅÅ1/2
I
Didn’t Know What Time It Was (1939)
wow, this was Billie sole recording of this song, in LA, 1957. An
unforgettable performance that deserved an extra half-star. Listen: … /Grand
to be alive, to be young, to be mad, to be yours alone! /…
- (MT
312)
It’s Easy To Remember
- (MT
315)
Glad To Be Unhappy
- (MT
326)
You Took Advantage Of Me
Duke Ellington
(1899-1974)
Ellington was a musician
in the broad sense of the word. Through his orchestra passed some of the biggest
names in jazz. He was also a composer, despite the fact they were not actually
composed as songs, but as instrumental pieces. A legend.
Ellington was the closest
contact Billie had with the greatest composers. To focus in the recorded tracks,
she made a short film with his band, “Symphony in Black” in 1935 (s. 3a).
Then, in 1945, she had a radio broadcast with Duke’s Orchestra in the
California Philarmonic Auditorium during the Esquire Magazine Second Annual Jazz
Concert. In 1952 she took part in the Duke’s 25th Anniversary Concert in
Carnegie Hall.
- (LR
1)
Saddest Tale this song, by Ellington, has the merit to be one
of the first recorded by Billie, in the early thirties.
- (MT
226)
ÅÅ
Solitude
- (MT
256)
ÅÅ1/2
Prelude To A Kiss
- (MT
281)
ÅÅÅ1/2
Do
Nothin’ Till You Hear From Me (1943)
lyrics by Bob Russell: Do nothin’ till you hear from me / Pay no attention
to what’s said, / Why people tear the seams of anyone’s dream / Is over my
head. Wow, I still can hear Ben Webster’s sax behind me.
- (MT
287)
ÅÅÅÅ
Sophisticated
Lady (1933)
originally instrumental, the lyrics are by Mitchell Parish: Diamonds
shining, dancing, dining with some man in a restaurant / Is that all you
really want? / No, sophisticated lady, / I know, you miss the love you lost
long ago / And when nobody is nigh, you cry. It sounds quite Billie,
right? One of my favorites.
Rube Bloom
(1902-1976)
Rube Bloom was a very good
pianist and also a bandleader. Billie selected a couple of his best works.
- (LR
59)ÅÅÅ
Maybe You’ll Be There (1947)
what was the reason I liked this song that much? A minor tune from Bloom, a
bad sound quality live recording in 1949, what was it? I don´t know, but so I
did. Lyrics by Sammy Gallop: Each time I
see a crowd of people, / Just like a fool I stop and stare, / It's really not
the proper thing to do, / But maybe you'll be there. / I
go out walking after
midnight
, Along the lonely thoroughfare, / It's not the time or place to
look for you, / But maybe you'll be there.
- (MT
239)
ÅÅ I Can’t Face The Music
- (MT
295)
ÅÅÅ1/2
Day In,
Day Out (1939)
probably, his greatest hit, a song full of passion. One of my favorites. It is
a great partnership, the lyrics are by Johnny Mercer: Day in, day out/ That same old voodoo follows me about / That same
old pounding in my heart,/ whenever I think of you / And baby I think of you /
Day in and day out. There is something that makes me remember Cole Porter
(the voodoo, perhaps?); it is to regret Billie never recorded You
Do Something To Me… (do, do, that
voodoo that you do so well).
- (MT
324)
Don’t Worry ‘Bout Me
John Green
(1908-1989)
Green was a musical
director and wrote not that many songs, but he has four tunes included in
Billie’s repertoire. And among them is Body and Soul, an all-time jazz
standard classic.
- (MT
46)
Å
You Showed Me The Way
- (MT
153)
Å
I Cover The
Waterfront
- (MT
166)
Å
I’m Yours
- (MT
298)
ÅÅÅ1/2
Body
And Soul (1930)
an unforgettable performance. Lyrics by Heyman: My
heart is sad and lonely/ For you I sigh, for you dear only/ Why haven't you
seen it/ I'm all for you body and soul.
Richard Whiting
(1891-1938)
- (MT
5)
Å
Miss Brown To You
- (MT
47)
Sentimental And Melancholy
- (MT
191)
ÅÅ
Guilty
- (MT
238)
ÅÅÅ He’s
Funny That Way
- (MT
245)
Å
Too Marvelous
For Words (1937)
with lyrics by Johnny Mercer, it is probably his best effort.
Burton Lane
(1912-1997)
- (MT
21)
Guess Who
- (MT
88)
Å Says My Heart
- (MT
138)
Å
I Hear Music
- (MT
227) ÅÅÅ
Everything
I Have Is Yours (1933)
for the film “Dancing Lady” has lyrics by Harold Adamson: Everything
I have is yours/ You are part of me/ Everything I have is yours/ My destiny.
No wonder Billie selected this tune and made it a superb recording.
Walter Donaldson
(1893-1947)
A famous songwriter,
Donaldson lived long time in
Hollywood
and composed and arranged
music for many motion pictures.
- (MT
22)
Did
I Remember
- (LR
44) You’re Driving Me Crazy
- (MT
154)
ÅÅ1/2
Love Me Or Leave Me
(1928)
this is a wonderful song, lyrics by Gus Kahn: This
affair is killin' me/ I can't stand uncertainly / Tell me now I've got to
know/ Whether you want me to stay or to go/ Very Billie, isn’t it? I
selected this track with Teddy Wilson to represent the tune.
Jimmy McHugh
(1894-1969)
Dorothy
Fields
Dorothy Fields was one of
the great lyricists ever. In here, we found three wonderful McHugh works with
her lyrics.
- (MT
16)
Spreading
Rhythm Around
- (MT
36)
Å
I Can’t Give Anything But Love lyrics by Dorothy Fields
- (MT
77)
Å I Can’t Believe That
You’re In Love
- (MT
172)
Å On The Sunny Side Of The Street (1930)
an all-time jazz favorite, has lyrics by Dorothy Fields: Grab your coat and get your hat/ Leave your worry on the doorstep/
Just direct your feet/ To the sunny side of the street. Billie rendering
was unfortunately less inspirated.
- (MT
274)
ÅÅÅ I
Must Have That Man (1928)
also lyrics by Dorothy Fields
Harry Warren
(1893-1981)
His real name was
Salvatore Guaragna, a son of Italian immigrants.
- (MT
15)
Å
You Let Me Down
- (MT
50)
How Could You
- (MT
98)
Say It With A Kiss
- (LR
6)
Jeepers Creepers
- (MT
225) Å
I Only Have Eyes For
You (1934)
a lovely melody, lyrics by Al Dubin.
Jimmy Van Heusen
(1913-1990)
- (MT
247)
I
Thought About You
- (MT
296)
ÅÅÅ Darn
That Dream (1939)
a nice and sophisticated melody, lyrics by Eddie De Lange. Billie recorded it
in her last years, those beautiful moments in
Los
Angeles
.
- (MT
310)
But Beautiful
- (MT
319)
Å
All The way a
beautiful song, unforgettable in Sinatra voice, that Billie recorded in her
last year, under Ray Ellis violins.
Arthur Freed
(1894-1973)
- (MT
11)
Yankee
Doodle Never Went To Town
- (MT
20) Å
I Cried For You -
this record was Billie’s sales champion in Brunswick. That’s the first
"standard" she recorded, a song from 1923 by Arthur Freed & Gus
Arnheim & Abe Lyman. Beautiful melody
- (MT
21) Guess
Who?
- (MT 56) ÅÅ
Sun Showers - a
nice melody, in a swung tempo
- (MT
57) Å
Yours And Mine
Billie
Holiday
(1915-1959)
Many people don’t
realize Billie was also a composer, or sometimes a lyricist with other composers
as partners (their names in between brackets). These songs represent her style
and are generally included in records in her homage. Billie frequently sang
‘em in her live presentations.
- (MT
114)
Everything
Happens For The Best (Smith)
- (MT
134)
Å
Tell Me More, And More And Then Some More
- (MT
116)
ÅÅ Long Gone Blues
- (MT
178)
Å
Don’t Explain (Arthur
Herzog, Jr) Hush now, don't explain/
Just say you'll remain/ Unless you're mad, don't explain/ My love, don't
explain/ What is there to gain/ Skip that lipstick/ Don't explain// You know
that I love you/ And what loving does/ All my thoughts are real/ For I'm so
completely yours
- (MT
208)
Å
Now Or Never (Lewis)
- (MT
212)
Å Somebody’s On My Mind (Arthur Herzog, Jr)
- (LR
71)
You Gotta Show Me
- (LR
125)
ÅÅÅ
Billie’s Blues (aka I Love My Man) I love my man/ I'm a liar if I say I don't/ I love my man/ I'm a
liar if I say I don't/ But I'll quit my man/ I'm a liar if I say I won't/ I've
been your slave, baby/ Ever since I've been your babe/ I've been your slave/
Ever since I've been your babe/ But before I'll be your dog/ I'll see you in
your grave. This
was Billie’s tour the force, there
are almost 20 different recordings along her career; the one that I pointed
out here being a live session with the longest known version of it. Delicious.
- (MT
249)
Å Stormy Blues
- (MT
276)
ÅÅÅ1/2
Lady
Sings The Blues (
Alberta
Nichols)
- (MT
278)
ÅÅ God Bless The Child (Arthur Herzog, Jr)
- (LR
192) ÅÅÅÅ
Fine And Mellow My man don't love me/ Treats me oh so mean/ My man he don't love me/
Treats me awfully/ He's the lowest man/ That I've ever seen/ .../ But
when he starts in to love me/ He's so fine and mellow.
I’m
forced to mention here another Billie favorite, just to compare the lyrics.
Those four songs are a tribute to love and to be loved. A recurrent theme for
Billie.
My Man (Mon Homme) originally
a French tune, it was also one of the public favorites in her live
presentations. Here’s how the lyrics goes: It
cost me a lot/ But there's one thing that I've got/ It's my man/ It's my man/
Cold or wet/ Tired, you bet/ All of this I'll soon forget/ With my man/ He's not
much on looks/ He's no hero out of books/ But I love him/ Yes, I love him.
© 2011 Billie Holiday Songs
version 16.6
December 2011
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