1948 sessions

(A) STUDIO SESSIONS

Session #59 New York 10/December/1948 Bobby Tucker and his trio (CD: Complete Decca vol.2, tk 4, 5, 6 & 8)
Bobby Tucker (p) Mundell Lowe (g) John Levy (b) Denzil Best (d) The Stardusters, a vocal group of six voices, including Johnny ‘Eager’ Parker, Billie Holiday (v)

After almost two years, Lady Day is back to a Decca recording studio. Milt Gabler is still the producer.

(MT 196) Weep No More – sincerely, the choir arrangement is a disaster!

(MT 197) Girls Were Made To Take Care Of Boys – same again!

The Stardusters’ are gone and Billie has now a classic jazz trio, that allows her two nice intimate recordings in the series.

(MT 198) I Loves You Porgy * this Gershwin’s song does not rank among my favorites, but Billie does it nicely.

The image below is from the original 78rpm disk. Click here to listen.

(MT 199) My Man ** a second reading of this Lady’s classic, there will be a third later (see MT #234). She is doing fine, in the first chorus only with the piano and then even better with the rhythm section.
(MT 199a) My Man (alternate take)

The image below is from the original 78rpm disk. Click here to listen.


(B) LIVE SESSIONS

48-03-27_carnegie_hall@On Saturday, March 27, 1948 Billie performed two concerts at Carnegie Hall backed by Bobby Tucker and trio. Unfortunately, sessions were not recorded and we only have some pictures. Note that in the intermission she changed the black dress by a light blue one and sang 30 numbers each presentation. Among them, classics like I Cover The Waterfront, Don’t Explain, All Of Me and Fine And Mellow.

Maybe, in the future, someone will find the lost tapes…


Live session #24 [radio broadcast] New York 7/July/1948  Lionel Hampton and His Orchestra (CD: box Perfect Complete Collection vol.2)
Ben Kynard (cl) Bobby Tucker (p) Charles Mingus (b) Earl Walker (d) Billie Holiday (v) plus full band at the end

Majestic Theater, Radio Broadcast

(LR 47) I Cover The Waterfront  *1/2

Original LP Weka JSD 12-1 Lionel Hampton & His Orchestra 1948 (Switzerland 1980). Sound not available.


Live Session #26 [radio broadcast] Los Angeles, December/1948, Red Norvo Orchestra (CD: Perfect Complete Collection vol.3 – see also notes below)
Neal Hefty (tp) Herbie Harper (tb) Herbie Steward (ts)(cl) Jimmy Rowles (p) Iggy Shevak (b) Blinkie Garner (d) Billie Holiday (v)

Note: In the tracks marked (T) Billie is accompanied only by piano, bass & drums.

Billie opens in December 15th a two-week engagement at Billy Berg’s Club in Hollywood (see note about Billy Berg at Live Session #8). This session was recorded at some points during the engagement and the tracks went on air in different dates in December and January 1949 in Gene Norman’s Just Jazz radio show. The merit of this session is that most of these tracks were never previously recorded in live presentations.

The transmission dates informed here are the ones suggested by Tom Lowery, as you may read in the Comments section below.

December 29, 1948
Announcement from Gene
(LR 48) I Wonder Where Our Love Has Gone (T) ** Rowles does a short intro and follows backing Lady in this nice song with a slow tempo.
(LR 49) Them There Eyes
Announcement from Gene
(LR 50) Billie’s Blues (I Love My Man)
Announcement from Gene

Original LP Giants of Jazz GOJ 1001A I Wonder Where Our Love Has Gone (US 1975). Sound not available.

 

Presumed to be January 12, 1949
(LR 51) My Man *

Original LP ESP-3002 A The Lady Lives (US 1972). Sound not available.

(LR 52) Miss Brown To You *
(LR 53) No More (T)

Original LP Swing House SWH 27 Miss Brown To You (UK 1982). Sound not available.

Presumed to be from January 19, 1949

(LR 54) That Old Devil Called Love

(LR 55)  I’ll Be Seeing You
Strange Fruit (NA: track also recorded, but original tape badly damaged)

Original vinyl (size?) Expubidence EXP-010 (US ca.1970). No images or sound available)

Note: some people claim these two tracks were from a Babs Gonzalez party.

January 26, 1946
(LR 56) Good Morning Heartache (T) *
(LR 57) You’re Driving Me Crazy
(LR 58) Maybe You’ll Be There (T) *** Billie’s voice sounds weak but pure emotion, turning this track as one of my favorites. Jimmy Rowles does a brief intro and backs this beautiful composition by Rube Bloom & Sammy Gallop. Listen: “each time I see a crowd of people/ just like a fool I stop and stare/ it’s really not the proper thing to do/ but maybe you’ll be there”. A gem.
(LR 59) Lover Man *

Original LP Swing House SWH 27 Miss Brown To You (UK 1982). Sound not available.

Notes: all tracks can be found in the box Perfect Complete Collection vol.3 and Masters of Jazz vol.3 also carries seven of them.

A video register of #48 is on the DVD The Ultimate Collection (image below – see also discography).


Gene Norman owned and operated the legendary Hollywood jazz club known as the Crescendo during the 1940’s. As a rising DJ on radio KFWB during that same period, he was considered the most popular and knowledge radio man of the time and regularly associated with the biggest names in the history of jazz. He was also the founder of GNP Crescendo recording label.


© 2013-2017 www.billieholidaysongs.com  – February 2017

4 thoughts on “1948 sessions

  1. It’s a huge shame that “Weep No More” has an unlistenable arrangement because I think Billie might have done something interesting with the song, and it is much more defiant than masochistic stuff like Don’t Explain and My Man. On the other hand, Girls Were Made To Take Care Of Boys must be the worst composition or recording in her canon and I’d like to think that in happier times she’d have refused to record it.

  2. I know you’ve found info about the Gene Norman broadcasts, but what you have here is incorrect. There IS an order to the songs, they ARE available and have been for decades, and they were not recorded on the same date as some have suggested nor all broadcast in June of 1949. I know this for a fact because I have one of the full sets with Gene’s intro and extro, as well as having interviewed Gene myself years ago. He said that those were special sets that Lady did for the broadcasts, and that he did so every Wednesday. He also said that while he MAY have reused them later in 1949, he would never have held them back because the broadcasts of these portions were always live.

    These sets were all released on V-Discs, all of which I have on digital from a collector friend who has what appear to be the original transcription records – they are all handwritten. Three of them appeared on a Giants of Jazz LP, “I Wonder Where Our Love Has Gone) in 1975. It is this LP that made the claim of the set being broadcast in June of 1949.

    Based on Gene’s info, this is the closest I have ever gotten to an exact list:

    Disc One (December 29, 1948):
    Announcement from Gene
    I Wonder Where Our Love Has Gone
    Them There Eyes
    Announcement from Gene, followed by a commercial
    Billie’s Blues
    Announcement from Gene

    Disc Two (Not dated but presumed to be from January 12, 1949):
    My Man
    Miss Brown to You
    No More

    Disc Three (Not dated but presumed to be from January 19, 1949):
    That Old Devil Called Love *
    I’ll Be Seeing You *
    Strange Fruit (I don’t have this song because side two of the disc is/was badly damaged)
    * = (same take as the one people claim is from a Babs Gonzalez party)

    Disc Four (January 26, 1949):
    Good Morning Heartache
    You’re Driving Me Crazy
    Maybe You’ll Be There
    Lover Man

    With a good ear, one can easily discern the timber of Lady’s voice, and the sound of applause. It changed from evening to evening. One can also listen to the piano playing and know it is Bobby Tucker on each of those sides.

    • Tom, I decided to follow your suggestion. I have already made the changes in the site. The only doubt that I really have are related to the two Babs Gonzales tracks, that sound completely different from the rest.

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